Margaret Atwood's Labia Compared To Corned Beef

Another academic year starts; Margaret Atwood's promo. events start to bleed through the provinces. So it must be fall. I don't know if anyone's read Atwood's new book The Year of the Flood, but if you haven't you're surely jerking off to inferior material. An Eaton's catalogue, or maybe Spike TV ads. Flood is a fantastic read; I'd recommend it to anyone catheterized after minor surgery.

I went to an Atwood event last night in Toronto, and the usual crowd of supporters had gathered to kiss her feet, carry her around on a sedan chair, and generally cry in her presence. Seriously, I'm not sure why Atwood's such a Canadian deity. I know that we're not a crowded room of Updikes, but I know also that I'd love to read a book without waiting for the inevitable rape-inchoate rape scene. The maven-Atwood writes well, but you can't read her books without feeling that there's a cold-as-hell finger shoved deep up your ass.

That's just a man's point of view, so dismiss it out of hand Atwood fans. I know that Atwood doesn't hate men, she just hates John Moss (who know, by the way, walks around the city in a black watch cap and loves camping).

So, again, everyone was at this Random House-Doubleday book-hawking expo. And they'd all dressed up for Atwood. Except for one guy--an older man--who told me that he'd gone down on MA in the '70s, and compared the experience to licking hand-cut Schwartz's Montreal smoked meat that'd been left in the car overnight in February. I begged him for details, and he told me that there was really nothing more to tell, but that Peggy likes the missionary position 'cause it lets her imagine that the roof's about to cave in.

So this isn't a book review as much as it is a prurient look at the Atwood you weren't meant to see; the part usually concealed behind layers and layers of wool.

Fuck. Atwood was never better than she was in Surfacing, which, to me, is like saying that my shirt never smelled better than after I'd walked down Spadina from Bloor to King Street.

Now back to prepping for tomorrow's CanLit lecture: The Tin Flute and Canadian modernism. Drop in if you have a chance.